Burdened by transferring objects when capturing an extended publicity? Discover ways to mix your lengthy publicity picture with one shot at a sooner shutter pace to freeze the movement for flawless outcomes.

Have you ever ever been haunted by the wind when you should make an extended publicity however components in your composition transfer within the breeze? You wait and wait, however the breeze doesn’t subside. You strive a sooner shutter pace, however it’s nonetheless not quick sufficient to cease the movement for the impact you need. You concentrate on returning on one other day, however your schedule doesn’t enable it. Fret not—there’s an answer. First, make the picture utilizing an extended publicity to acquire the impact you crave. And right here’s the sweetness—subsequent, increase your ISO, open your aperture, take away the neutral-density filter and make the photograph utilizing a shutter pace that’s quick sufficient to freeze the movement. While you post-process the images, use a layer masks and mix the components of the frozen motion into the picture with the gradual shutter pace. This is how.

Step 1: Open each photographs in Digicam RAW or Lightroom and make the specified changes to the RAW recordsdata. You’ll want to SYNCHRONIZE the settings by making use of an identical changes.

Blending Multiple Exposures In Photoshop

Step 2: With the “gradual shutter pace” and “sooner shutter pace” recordsdata opened, separate the 2 into their very own home windows.

Blending Multiple Exposures In Photoshop

Step 3: With the MOVE instrument chosen, maintain down the shift key and drag the file of the gradual shutter pace picture over the file of the quick one. Holding down the shift key when you transfer the picture will routinely align the pictures so all of the pixels match.

Step 4: The quick shutter pace file is now hidden underneath the slower pace layer and two layers seem within the layers palette. Add a layer masks to the highest layer by clicking on the ADD LAYER MASK icon on the backside of the layers palette.

Blending Multiple Exposures In Photoshop

Step 5: With the Layer Masks highlighted, click on on the comb instrument and be certain the foreground shade on the backside of the instrument palette on the left facet of the Photoshop workspace is about to black. Take a look at the highest of the Photoshop workspace within the OPTIONS BAR and be certain the Mix Mode is about to regular, set the Hardness to 0% and set the Opacity to 50%. It’s higher to work with a comfortable edge brush at 50% and construct up the impact than attempt to accomplish it with only one swipe of the comb.

Blending Multiple Exposures In Photoshop

Step 6: Use the comb to “Paint Out” the movement of the transferring leaves on the photograph itself. With every stroke of the comb, an increasing number of of the “sooner layer” might be revealed. Proceed portray till all of the sharp leaves have “changed” those that present motion. The layer masks with reveal the place you utilized the comb strokes.

Blending Multiple Exposures In Photoshop

Go to www.russburdenphotography.com for details about his nature images excursions and safari to Tanzania.

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