The demise of my first Canon EF 50mm f/1.Eight II lens was an unlucky one.

First, I dropped it – which is OK.

It occurs. Nonetheless recoverable, I do know.

Till, clumsily, I stood on it too.

And, simply to make certain it was completed, what was left of the lens then rolled down a small hill. Once I caught up, I scooped it up in my arms, all scratches and damaged glass. It was my first, and I used to be gutted.

Nonetheless, after what appeared like an acceptable interval of mourning, I did what any photographer would. I purchased one thing newer, and shinier.

I made a decision to graduate to a Canon EF 24-105mm f/4L IS USM. From there it was all programs go, zooming out and in of these laborious to achieve spots and having fun with the liberty {that a} versatile medium-range workhorse affords. And regardless of the occasional bashing right here and there, its been my go-to lens ever since.

Just lately, nevertheless, I acquired one other Canon EF 50mm f/1.Eight II. Identical to my previous one, however a lot much less crunched. So I made a decision to see what going again to a prime lens could be like. Particularly after relying so closely on the attain of the Canon EF 24-105mm f/4L IS USM. Right here’s a fast rundown on my week with the Canon EF 50mm f/1.Eight II and why a break out of your previous favourite will be surprisingly helpful.

Out of the blue lighter

The primary distinction I seen after clicking the Canon EF 50mm f/1.Eight II into place was the burden, or ought to I say, the dearth thereof? The majority of the Canon EF 24-105mm f/4L IS USM was monumental in comparison with the little ‘plastic incredible’ (because the Canon EF 50mm f/1.Eight II has come to be identified). Photographing with the Canon EF 50mm f/1.Eight II, I had so much much less neck ache, which meant I might keep out capturing for longer with no need some painkillers.

Ditching the burden of the Canon EF 24-105mm f/4L IS USM had one other profit too. With out swinging round a heavy lens, I used to be capable of transfer much more freely. I might crouch, leap up and down, do some parkour…

Okay, I’m not that athletic.

Nevertheless, with the ability to transfer allowed me to line up photographs with extra ease.

A lighter lens meant I might simply sneak my digicam below this umbrella for {a photograph}

Slowing it down

The technical variations between Canon EF 24-105mm f/4L IS USM, and the Canon EF 50mm f/1.Eight II took some getting used to – zoom being one of the pronounced. As an alternative of getting nearer to a topic in-camera, I wanted to reassess what I wished to realize. This meant strategically positioning my physique to get the shot. Positive, I stroll round searching for out topics to {photograph} on a regular basis. However, with the Canon EF 50mm f/1.Eight II, I wanted to be just a bit extra lively to get the picture I used to be after.

Sticking with the Canon EF 50mm f/1.Eight II obtained me fascinated with the bodily and psychological parts that come collectively to create a profitable shot. It made me decelerate and recognize the machinations of images and the tactility of the image-making course of.

Numerous gentle

One of many largest variations between the Canon EF 24-105mm f/4L IS USM and the Canon EF 50mm f/1.Eight II is written within the title of the lenses themselves. It’s aperture. Whereas the Canon EF 24-105mm f/4L IS USM can handle a valiant F/4, it doesn’t fairly lower the mustard in comparison with the Canon EF 50mm f/1.Eight II, opening as much as an aperture of f/1.8.

What does this all imply? Principally, the Canon EF 50mm f/1.Eight II can enable much more gentle to move by to the digicam’s sensor. That’s an enormous deal in low lighting situations. For instance, capturing at night time with the Canon EF 24-105mm f/4L IS USM could require a a lot slower shutter velocity or larger ISO worth to obtain the identical publicity the Canon EF 50mm f/1.Eight II can at a quicker shutter velocity and a decrease ISO. Which means that the Canon EF 50mm f/1.Eight II can produce significantly better picture high quality in low gentle.

Photographing in darker environments will be difficult. However the Canon EF 50mm f/1.Eight II allowed me to experiment at totally different instances of the day with out having to fret about obtainable gentle. After all, its a consideration when calculating publicity, however I used to be so much much less involved about clogging up my pictures with insane quantities of noise than I’d be with the Canon EF 24-105mm f/4L IS USM in the identical situations.

The f/1.Eight aperture of the Canon EF 50mm f/1.Eight II allowed me to take this shot with so much much less noise and a quicker shutter velocity

Extension tubes

One other advantage of the ample aperture of the Canon EF 50mm f/1.Eight II is its versatility when coupled with a set of extension tubes. Extension tubes bodily transfer your lens away from the focal airplane. This makes the minimal focusing distance (the shortest distance at which a lens can focus) smaller, that means you will get nearer to your topic whereas nonetheless sustaining focus. It’s a approach to shoot macro images with out an costly devoted lens.

Nevertheless, extension tubes do have their drawbacks. One in all them being diminishing the obtainable gentle in a scene. With the addition of every extension tube, much less gentle is ready to attain the digicam sensor. This drop in gentle will be tough to take care of for those who don’t have a tripod and a wonderfully nonetheless topic. A quick lens just like the Canon EF 50mm f/1.Eight II is right on this state of affairs. Even on a very overcast day, I used to be capable of get some good, sharp photographs at an honest shutter velocity. It meant that I might hand-hold my digicam to take macro photographs that will have required a tripod with the Canon EF 24-105mm f/4L IS USM.


One facet of the Canon EF 50mm f/1.Eight II lens that I used to be wanting to experiment with was its capability for bokeh. A Japanese phrase that means ‘blur’or ‘blurry’, bokeh refers back to the high quality of the out of focus elements of a picture. The time period is commonly used to explain how unfocused vivid factors in a scene are rendered as disks of sunshine in {a photograph}.

Whereas all lenses are able to bokeh results, zoom lenses are likely to easy a background over somewhat than form it. Prime lenses, however, ship a extra outlined disk-like bokeh consequence. As well as, bokeh requires the bottom potential aperture worth to take full impact. This makes the utmost f/1.Eight aperture of the Canon EF 50mm f/1.Eight II ultimate for some candy bokeh magic.

In search of out alternatives for bokeh made me re-evaluate my environment. I needed to shortly develop an eye fixed for factors of sunshine that I might use to disperse into globes of coloration. However with the convenience {that a} small digicam lens affords, the little ‘nifty fifty’ produced some actually fascinating outcomes with little effort on my half.

Testing bokeh out on a wet night time within the metropolis


There are many different comparisons to discover between the Canon EF 50mm f/1.Eight II and the Canon EF 24-105mm f/4L IS USM. I do know, per week isn’t a really very long time to actually get accustomed to a brand new piece of kit, however difficult myself to per week of prime-lens-only images was so much easier than I believed it might be.

In truth, it was fairly enjoyable!

Up till now, I’ve been a one-camera-one-lens kinda gal.

However enjoying round with the Canon EF 50mm f/1.Eight II made me suppose twice about my tools repertoire. And with the burden and maneuverability of a small mammal, fascinating bokeh and such a good efficiency in low gentle situations, I believe I’d simply add it to the digicam bag too. Simply in case.

With out stepping on it this time.


Do you employ the nifty fifty? What are your ideas?


fbq(‘init’, ‘1420262834888800’);
fbq(‘track’, “PageView”);

Shop Amazon