When starting to work with video, many new learners will wrestle with selecting the proper body fee for his or her tasks. On this fast, however information-packed video, Gerald Undone guides us visually by way of what the completely different body charges appear to be and provides solutions on the way to combine them.

I first began working with video with the discharge of the Fujifilm X-H1, and it has been fairly a studying course of. Having the fundamentals of publicity already made the primary few shoots appear simple. When speaking about “capturing for the edit” in nonetheless pictures, we’re speaking about getting our publicity right for the kind of post-production we will do. With video, you may discover that body charges additionally play an enormous position in how one can edit the footage.

Excited that I would be capable to work with some gradual movement, I shortly switched the digicam into 60p mode and shot every little thing on my first shoot at that body fee. Then I would heard about this cinematic look that 24p creates, so I set my timeline in Premiere to that. There was my first studying level. The footage seemed awfully jittery when performed again at regular velocity. For those who’ve ever dropped 60p footage straight right into a 24p timeline, you may know what I am speaking about. Video simply acquired exponentially extra advanced than nonetheless pictures. 

Similar to wanting again at your first few makes an attempt to make use of a digicam, wanting again at this now could be fairly humorous. This error, although, signifies that I now verify my body charges each single time I get my digicam out to work with video. 

To keep away from making these errors, and to study how one can work with completely different body charges on a timeline, try this video from Gerald Undone, the place he goes by way of some useful info for learners within the realm of video. 

Lead picture by Donald Tong, used below Inventive Commons.


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