Fujifilm’s XF 8-16mm f/2.8 lens is the widest out there rectilinear lens on the system and has accomplished the “Holy Trinity” of professional-grade zoom lenses. Squarely aimed on the uncompromising photographer, this lens exhibits that Fujifilm is able to supply working photographers of all types nice lenses to execute the pictures they conceive. Let’s check out the way it performs within the discipline. 

Fujifilm has spent quite a lot of their R&D time on creating among the finest lenses out there for APS-C sensors available on the market right now. Their primes have grow to be extremely regarded through the years, and their f/2.Eight zooms have additionally been liked by skilled and novice photographers alike. Two examples of extraordinarily top quality zooms for the Fujifilm X system are the XF 16-55mm f/2.8 and the XF 50-140mm f/2.8. Each of those are wonderful performers, and the XF 8-16mm f/2.Eight suits in proper alongside them as a high-performing, pro-grade lens. 

Construct

At this stage, we shouldn’t really want to speak concerning the construct high quality from any of the main gamers in lens manufacturing. They’re all producing stellar gear lately, and the Fujifilm XF 8-16mm f/2.Eight isn’t any exception. It feels nice within the hand and matches the Fujifilm system completely. It feels strong and like it can stand up to the pains of use within the discipline. There are, nevertheless, a few small annoyances concerning the building that whereas not affecting the pictures the lens can obtain, will have an effect on its use.

Optical Building

The complete title of this lens is the Fujinon Aspherical Lens Nano-GI XF 8-16mm f/2.Eight LM WR. This offers us a few clues as to the glass that goes into attaining this lens. The 20 glass parts embody Four aspherical parts and 6 extra-low dispersion parts. On prime of that, Fujifilm’s Nano-GI coating helps to cut back flare and ghosting. As we’ll see under, all of those parts come collectively to create a wonderful performer. 

Dimension and Weight

This lens is under no circumstances small and lightweight like Fujifilm’s sequence of prime lenses. This suits squarely in with the skilled zooms they provide within the 16-55mm and 50-140mm. At 805 grams, this may increasingly not appear to be the heaviest lens available on the market. However when you think about that an X-T3 weighs 539 grams with battery and reminiscence inside, it immediately appears an entire lot heavier. 

At over 12 centimeters lengthy and practically 9 centimeters huge, it is usually not a small lens. If small and lightweight was your thought of an APS-C mirrorless system, this lens will not be for you. In truth, it’s not really a lot smaller than one thing like Nikon’s 14-24mm f/2.8 full-frame lens. 

Having stated this, I didn’t discover the lens too huge or heavy to hold round for a day’s taking pictures. Particularly for the meant use instances of this lens, it actually doesn’t add that rather more to your equipment. If you happen to take into account strolling out the door with a big tripod, a digital camera physique, a few batteries, a lens or two, some filters, and snacks to get you thru the day, a number of hundred further grams and a bit of more room in your bag taken up is just not actually a giant deal in most conditions, particularly if it is changing an current wide-angle lens. 

Focus Ring

Right here my first gripe concerning the lens. The main focus ring of the 8-16mm feels virtually like an afterthought. Fujifilm doesn’t appear to have the ability to determine on a way of figuring out the resistance of their focus rings for any lens, however this one feels significantly off. After all, the highly effective autofocus motors are nice, and with Fujifilm’s wonderful autofocus system, will work rapidly and precisely is nearly each scenario. Nonetheless, for individuals who prefer to manually focus, this ring is extraordinarily free and feels very sloppy in comparison with the remainder of the lens building. 

Aperture Ring

The aperture ring is one other a part of the lens that doesn’t appear to have been given the identical consideration because the optics. Once more, this can be very free when in comparison with the opposite lenses in its class: the 16-55mm f/2.Eight and 50-140mm f/2.8. I always discovered myself knocking this aperture ring simply whereas holding the digital camera as much as my eye and zooming the lens. This actually shouldn’t be a problem on a lens on this worth vary. 

Climate Resistance

As with Fujifilm’s different “pink badge” lenses, the 8-16mm has the Climate Resistant denomination and has seals everywhere in the barrel, together with the mount. Throughout my current week utilizing the lens on Jeju Island, I had no points in any respect utilizing the lens within the heavy storms we had been working in. The one factor that was a relentless problem was getting water droplets on the bulbous entrance ingredient, which is to be anticipated because the hood can solely be so massive on a lens with a discipline of view this huge. 

Lens Cap

Talking of the entrance ingredient, Fujifilm gives a slip-over lens cap like all producers that make a lens on this class. Nonetheless, I do respect them preserving the pinch-to-release lens cap sort even with the slip over design. 

Filters

A lens this huge is prone to be favored by panorama and cityscape photographers, lots of whom will wish to use filters with it. Because the entrance ingredient protrudes to date, there isn’t a means so as to add a round filter thread to this lens. The excellent news is that filter holder techniques can be found. The dangerous information is they’ll should be the bigger 150mm units with a view to stay out of the lens’ discipline of view. I’ve been utilizing the Haida M15 equipment with this lens whereas I’ve had it, and it has carried out spectacularly. Nonetheless, the added bulk of a big holder and large filters signifies that an excellent portion of my bag was taken up by the filters alone. That is one thing to think about in case you’re deciding between this lens and one thing just like the Fujifilm 10-24mm f/4

Optical High quality

Sharpness 

In my testing, I discovered that this lens performs pretty equally in any respect focal lengths. So, for brevity, I will state my findings generally. At f/2.8, the middle of the picture is sharp. In truth, it is sharper than Fujifilm’s XF 10-24mm f/Four lens huge open (extra so within the corners). The corners comply with swimsuit right here. Whereas softer than the middle, they’re nonetheless sharper than the corners of the 10-24mm. Sharpness improves throughout the board from f/Four to f/8, with the corners changing into wonderful by f/5.6. From f/11, as we might anticipate on an APS-C sensor, sharpness begins to degrade. Each f/11 and f/16 produce usable photos for smaller prints and social media use. Nonetheless, f/22 is extraordinarily gentle. As you may see within the samples right here, sharpness is nice, particularly for an ultra-wide lens. If you happen to’re enthusiastic about seeing a few texture photos to get an thought for sharpness at shut focusing distances, test the pictures under (prime: heart, backside: nook). These are each in comparison with the XF 10-24mm and each lenses had been used huge open.

Vignette 

Photos from this lens exhibit a major vignette. Because the lens is zoomed in, the entrance ingredient recedes effectively again into the lens barrel. I’d assume this contributes considerably to the vignette being extra pronounced because the lens is zoomed. The corners by no means get too darkish, nevertheless, so this can be a easy click on to right in post-production.

When huge open and used at 10mm, the corners are round a cease darker than the middle. Stopping right down to f/Eight offers probably the most even outcomes, however from f/11, the vignette begins to creep in once more. At 12mm, an identical sample could be seen, however illumination is most even at f/11. When used at 16mm, the vignette stays a relentless presence all through the aperture vary. 

Chromatic Aberration / Flare / Ghosting

After I use a wide-angle lens, I anticipate to see fringing and coma. In most lenses, that is simply par for the course. Within the couple of weeks I spent utilizing this lens, I by no means noticed any of those creep into any of my photos. Even in excessive distinction back-lit scenes, I did not see any fringing in any respect. 

I additionally had a tough time getting any type of flare or ghosting except the glass was moist or soiled. Irrespective of the place the solar or different lights had been, I merely could not discover any flare in any respect. That is an exceptionally well-corrected lens for individuals who take pleasure in optical excellence. 

In Use

Now that we’ve acquired specs and numbers out of the way in which, let’s get to the true. What’s it like to make use of? Who’s it for? In any case, it is exceptionally massive and heavy for the X system and intensely costly besides. 

Focal Vary

Fujifilm has taken again the crown of getting the widest rectilinear lens on their X system, however a lens this huge is definitely not for everybody. The focal vary goes from ultra-wide to huge (a 35mm full body equal of 12-24mm). This places it on the far finish of Fujifilm’s red-badge lenses and completes the “Holy Trinity” for the X System.

The huge finish of the focal vary sees a discipline of view of 121 levels and could be fairly unwieldy at first. When you get used to it, nevertheless, potentialities begin to open up. Perspective distortion may be very obvious when getting nearer to things and can be utilized to get inventive together with your framing in genres like panorama images. Here’s a fast instance of the distinction in discipline of view from 8mm to 10mm.

In tight areas, the additional discipline of view versus the 10-24mm f/Four could be fairly helpful. I’m usually requested to shoot a fast inside of an occasion area, and the 10-24mm often results in a compromise in what I can present in tighter areas. The 8-16mm offers extra potentialities in conditions like that. 

Having the ability to zoom out to 16mm additionally offers the lens the power to render issues a bit extra “usually” whereas nonetheless retaining the huge angle feeling. I used the lens virtually solely on my current journey to Jeju Island and located that I used to be completely happy to {photograph} most topics with this vary of focal lengths. Nonetheless, as with all zoom lenses, I discovered myself utilizing the extremes of the vary extra usually than something in between. 

Autofocus

Fujifilm has used their linear motors to maneuver the massive glass of this lens system round rapidly and quietly. Whereas the 10-24mm f/Four is sluggish, particularly in low mild, the brighter aperture and extra highly effective motors of the 8-16mm f/2.Eight make it one of many quickest lenses on the system when it comes to autofocus. It’s on par with Fujifilm’s finest lenses and simply will get out of the way in which to help you deal with the images.

Because the autofocus is quick, correct, and practically silent, it may be good for video makes use of in case you want a lens this huge in your productions.

In Conclusion

Who Is It For? 

In relation to wide-angle lenses, I sometimes desire to work with a zoom. I like the flexibility when working at these focal lengths. The 8-16mm falls precisely into the focal vary that I’d need from an ultra-wide lens. Nonetheless, would I put money into it myself? Maybe down the road, however not any time quickly. For me, the extra $1,000 I would want to spend for the additional width and extra filters that will should be carried round for panorama work are merely not price it. Whereas I like to shoot landscapes and luxuriate in utilizing a wide-angle lens, the XF 10-24mm is greater than ok for the work I do.

As I discussed above, for these trying to get each final drop of optical efficiency from a wide-angle, that is the lens in Fujifilm’s lineup that provides you that. If cash is just not an element, go for it. You’ll not be upset. Nonetheless, in case you don’t thoughts utilizing an f/Four lens, don’t have to go fairly so huge, and may stay with rather less sharpness huge open, the 10-24mm may be a greater possibility. 

Pricing

With all the nice issues we are able to say concerning the optical high quality and construct of this lens, there’s an elephant within the room that must be addressed: the value. Fujifilm is asking simply shy of $,2000 for this lens. Contemplating the worth proposition offered by their very own XF 10-24mm (and third-party choices just like the Laowa 9mm f/2.8 or Samyang 12mm f/2), plainly Fujifilm are aiming at an viewers who needs a wider focal size and desires to squeeze each final drop of efficiency out of their buy. 

What I Appreciated

  • Uncompromising optics
  • Fast, correct, silent autofocus
  • Large-angle discipline of view
  • No barrel distortion to be seen
  • Lens cap maintains pinch-to-open type
  • Total measurement and weight had been each smaller than anticipated

What I Felt May Be Improved

  • Focus ring spins freely and does not encourage confidence
  • Aperture ring too straightforward to knock
  • Would not settle for screw-in filters (not a lot could be carried out with a lens this huge, however nonetheless a detrimental)
  • Expensive

Remaining Ideas

This is a wonderful lens. It isn’t for everybody, to make certain. However, in case you’re available in the market for the most effective that cash should buy on the Fujifilm X System, that is it. I like to recommend you head over and choose one up right here.

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